This is the first installment in a series. Here, we’ll take a look at songs that are best known by artists who didn’t record them originally. You might be surprised to learn how many songs fall into that category, so let’s start with just a few examples. But first, a fair warning: the stories presented herein are not meant to be exhaustive or unbiased!
Song: “Louie, Louie”
Best known by: The Kingsmen
Originally recorded by: Richard Berry & the Pharaohs
The story: The short version is as follows. Richard Berry appropriated the riff from a Latin dance tune called “El Loco Cha Cha” and turned it into “Louie, Louie.” Berry’s 1957 recording, done in an R&B doo-wop style with some calypso influences, made some local noise in his stomping ground of Southern California. The song made its way to the Northwest via R&B hitmaker Ron Holden, who wowed audiences with his live rendition. Tacoma-based singer Rockin’ Robin Roberts teamed up with pioneering Northwest rockers The Wailers to record a proto-garage rock version which became a huge regional hit in 1961. The song was now a Northwest standard, and in 1963, Portland’s Kingsmen made a poor attempt to copy The Wailers’ version. Despite being in direct competition with a more accomplished take by another Portland-based band (Paul Revere & the Raiders!), The Kingsmen’s version became THE “Louie, Louie.” The full story is best told in the music and liner notes of the fantastic CD Love That Louie: The Louie Louie Files (Ace Records). Incidentally, “Louie, Louie” is an innocent love song about a lonely Jamaican sailor; the allegations of pornographic lyrical content stemmed from the raunchy sound of The Kingsmen’s version, in which Jack Ely’s indiscernible babbling raised a few too many eyebrows.
Song: “You’re No Good”
Best known by: Linda Ronstadt
Originally recorded by: Dee Dee Warwick
The story: Another one with a complex history. Written by prolific songwriter Clint Ballard, Jr., the original version by a nose belonged to Dionne Warwick’s younger sister Dee Dee. Her 1963 recording was done in a bombastic heavy soul style, and there was another soul version on the market that same year. Betty Everett’s sleek, sophisticated reading of the song charted towards the end of 1963, eventually reaching the middle of Billboard’s Hot 100; Billboard had temporarily discontinued its R&B chart at the time, but some sources show Everett’s version making the Top 10 on R&B charts published by other organizations. At any rate, it peaked on the charts in early ’64, during the start of the British Invasion, and indeed the British beat boom brought yet another version. The Swinging Blue Jeans’ moody Merseybeat take on this tune made the UK Top 3 but just barely charted in the US in 1964. Linda Ronstadt's flamboyant 1974 reimagination (produced by Peter Asher of British Invasion duo Peter & Gordon) became a #1 pop hit the following year, establishing her as one of the hottest singers of the 1970s.
[Note: If you’re looking for The Swinging Blue Jeans’ version on iTunes or Napster, forget about it; you’ll only find re-recordings. You’ll have to seek out the old vinyl or locate the 1964 recording on CD—if you’re fortunate enough to get your hands on EMI’s fascinating UK release Beat at Abbey Road 1963 to 1965, so much the better.]
Song: “Respect”
Best known by: Aretha Franklin
Originally recorded by: Otis Redding
The story: Otis Redding wrote this song. His pounding, insistent 1965 recording was pure Memphis soul, and the lyrics portrayed a man who was willing to take a lot of abuse from his woman (“Do me wrong, honey, if you wanna/You can do me wrong, honey, while I’m gone”) but he had his limits: “All I’m asking is for a little respect when I come home.” It was a Top 5 R&B hit and it also made the pop Top 40. Interestingly, the song began attracting covers from white garage rock bands. The Rationals, based in Ann Arbor, had a regional hit with their minimalistic reading in 1966, while New York City’s Vagrants almost made the charts with the tune in 1967—until Aretha’s version shut them down. As she usually did with covers, Aretha altered the song almost beyond recognition: instead of “You can do me wrong, honey, while I’m gone,” she sang, “I ain’t gonna do you wrong while you’re gone.” Instead of “What you want, honey you got it,” she sang, “What you want, baby I got it.” Instead of “You’re sweeter than honey/And I’m about to give you all of my money,” she sang, “Your kiss is sweeter than honey/And guess what? So is my money!” Here, she managed to refashion “Respect” into a feminist anthem, and the addition of the “R-E-S-P-E-C-T” bit at the end was so ingenious that Otis Redding began to sing it himself when he did the song live.
Song: “Got My Mind Set On You”
Best known by: George Harrison
Originally recorded by: James Ray (as “I’ve Got My Mind Set On You”)
The story: James Ray was homeless when a record mogul discovered him. He went on to have a couple of hits and then he died shortly afterwards of a drug overdose. Now, that’s a rock ‘n’ roll story if ever there was one! But James Ray was actually a soulful R&B singer who had the questionable luck of getting paired with the eccentric arranger Hutch Davie. On Ray’s biggest hit “If You Gotta Make A Fool Of Somebody,” Davie’s bizarre arrangement made the record that much more enjoyable. On “I’ve Got My Mind Set On You”...not so much. Both songs were written by Rudy Clark, and though a brief edit of “Mind” was issued as a single in 1962, George Harrison heard the gloriously awful two-part mix included on James Ray’s self-titled LP. Oh, Ray sang the song just fine, but that arrangement! The drumming veered from Latin to jazz to rock ‘n’ roll and back to Latin again. Misplaced big-band horns and a Vaudeville banjo drove the track. Part 2 had Ray doing vocal battle with a screechy, histrionic chorus. To be fair, Clark must take some of the blame, as the song originally included a deviant passage with the lyrics, “Everywhere I go, you know, bad luck follows me/Every time I fall in love, you know I’m left in misery”—kind of a downer considering the upbeat nature of the rest of the piece. Thankfully, George’s 1987 revival was based on how The Quiet Beatle heard the song in his head. While James Ray’s version was a bona fide flop, George’s version was a #1 hit. Speaking of The Beatles...
Song: “Twist and Shout”
Best known by: The Beatles
Originally recorded by: The Top Notes
The story: New York music biz hustler Bert Berns co-wrote this song, originally cut by an obscure R&B group called The Top Notes in 1961. Producer Phil Spector and arranger Teddy Randazzo were two of the geniuses of American popular music, but somehow they didn’t get this one right. The Top Notes’ version wasn’t bad, but it didn’t sound anything like, well, “Twist and Shout.” Upon hearing it, Bert Berns is believed to have said to Spector, “Phil, you fucked up my song!” The secret to this song’s success seems to be simple: cut it in a hurry at the tail end of a session. The Isley Brothers did just that (with none other than Berns producing), and their endearingly sloppy treatment hit the pop Top 20 and nearly topped Billboard’s R&B chart in 1962. But The Beatles’ rendition—cut at the end of a day-long recording marathon for their first album in 1963—eclipsed the Isley’s version upon its release as a US single amidst the Beatlemania of 1964.
Song: “Mandy”
Best known by: Barry Manilow
Originally recorded by: Scott English (as “Brandy”)
The story: Scott English was a successful and prolific American songwriter who had also enjoyed a regional hit as a singer in 1964 with the haunting, doo-wop flavored “High On A Hill.” He was based in England when he co-wrote and recorded a dopey-but-irresistible love song called “Brandy” in 1971. The light and airy arrangement was pleasant enough, but English’s vocal sounded like a drunken Randy Newman attempting to impersonate Gene Pitney while choking on his own vomit. In the United States, the record crawled into the bottom of the charts and quickly departed; however, British audiences welcomed it into their Top 20. Its hit status in the UK is probably what prompted Clive Davis to suggest that the then-hitless Manilow cover it in 1974. Manilow wasn’t terribly keen, but after some trial and error he adapted it to suit his style, slowing it down, cranking up the melodrama, and cutting out the rather silly coupling “Riding on a country bus/No one even noticed us.” Since Looking Glass had recently scored with a totally different song called “Brandy,” Manilow changed the title to “Mandy.” His sweet, wistful voice certainly fit the sad lyrics, and his recording became a #1 hit in the US, making Barry Manilow a household name once and for all. But wait—there’s more! In between English’s original and Manilow’s remake, there was an engaging cover by New Zealander Bunny Walters (a male singer, by the way). Walters’ version was based on English’s and was also titled “Brandy,” and it reigned supreme on the New Zealand hit lists in 1972. Since most New Zealanders were unaware of English’s original, they assumed that Walters wrote the song and that Manilow stole it from Walters!
[Note: Barry Manilow’s box set The Complete Collection…And Then Some includes a monaural excerpt of Scott English’s “Brandy”—the most you’ll find on iTunes, but Napster has the full Scott English track in stereo. Bunny Walters’ version can be streamed at this website; just click on Walters’ picture. Also worth noting is that this song is NOT about a dog, as rumored. See this webpage for more details.]
Song: “Can’t Get Enough Of You, Baby”
Best known by: Smash Mouth
Originally recorded by: The Toys
The story: Record producer, songwriter, arranger, recording artist, mogul—Bob Crewe did it all. Two writers in his cadre, Denny Randell and Sandy Linzer, came up with a catchy little pop ditty with Motown influences and called it “Can’t Get Enough Of You Baby.” Girl group The Toys (of “A Lover’s Concerto” fame) cut the tune in 1965 in a New York-meets-Detroit pop/soul style, and The 4 Seasons recorded a similar version later that year. However, punk pioneers ? & the Mysterians gave the song a fresh coat of paint in 1967. The hypnotic alternating organ chords and riffs of their breakthrough hit “96 Tears” still loomed large, and they tried to recapture some of the magic by doing “Can’t Get Enough Of You Baby” with a “96 Tears” feel. This entailed changing the chord sequence, altering the melody, and removing a number of the lyrics just to make the new arrangement work! But it hit the charts, peaking at #56 on Billboard’s Hot 100. Smash Mouth recreated The Mysterians’ arrangement with a ‘90s flair; their version hit #27 on Billboard’s Hot 100 Airplay chart in 1998.
[Note: If you’re looking for ? & the Mysterians’ version, be sure to get the one on ABKCO’s Cameo Parkway 1957-1967, as other versions floating around are either incomplete or latter-day re-recordings.]
More coming soon…meanwhile, check out The Originals Project. Not perfect, but getting better all the time: http://www.originalsproject.us/
Copyright © 2007 S.J. Dibai. All rights reserved.
Monday, October 22, 2007
Tuesday, October 9, 2007
One Note Ahead: One Year Later
October 22, 2007: The personal recollections originally posted here in celebration of One Note Ahead's one-year anniversary have been moved to a MySpace blog entry. The following rundown, also posted here in celebration of the one-year anniversary, remains here as originally published. Enjoy.
Here is a list (in chronological order) of One Note Ahead's current lineup of features, their descriptions, and their rankings in the top 50 search results on Google and Yahoo! as of October 9, 2007.
Feature: Spotlight On: Andrew James
Description: A brief review of a British pop/rock singer and songwriter on the move.
Search result rankings: For search term: andrew james singer songwriter [sic] -- #2 on Google, #4 on Yahoo!
Feature: A Winter Child For All Seasons
Description: An in-depth, personal look at the music and performance style of Jersey boy folk-rocker Matt Duke and his debut album, Winter Child.
Search result rankings: For search term: matt duke winter child [sic] -- #13 on Google, #25 on Yahoo!
Feature: SuperJimenez To The Rescue!
Description: An introduction to one of the hottest new Irish rock bands of 2006, with many quotes from lead guitarist Rhys Domagala.
Search result rankings: For search term: superjimenez [sic] -- #4 on Google, #11 on Yahoo!
Feature: It Rocks. It Rolls.
Description: A highly opinionated take on the history and nature of rock 'n' roll. One Note Ahead's most controversial feature ever.
Search result rankings: Not applicable.
Feature: What IS that song?
Description: A rundown of songs used in American television commercials in 2006.
Search result rankings: Not applicable.
Feature: Book Review: A House On Fire
Description: A review of John A. Jackson's book A House On Fire: The Rise and Fall of Philadelphia Soul, which is widely regarded as the definitive Philly soul tome.
Search result rankings: For search term: house on fire philadelphia soul [sic] -- #5 on Google, #9 on Yahoo!
Feature: Tribute 2006
Description: A tribute to the three music legends whose 2006 passings had the most impact on me personally: Atlantic Records co-founder Ahmet Ertegun, R&B jack-of-all-trades Richard "Ritchie" Barrett, and '60s pop star Gene Pitney.
Search result rankings: For search term: ritchie barrett [sic] -- #17 on Google, #22 on Yahoo!
Feature: You call that music?!?!
Description: A look at prevalent attitudes regarding the generation gap in popular music.
Search result rankings: Not applicable.
Feature: DVD Review: Elvis On Sullivan
Description: A detailed review of the Image Entertainment 3-DVD set Elvis: The Ed Sullivan Shows.
Search result rankings: For search term: "Elvis: The Ed Sullivan Shows" [sic; results identical without capitalization] -- #31 on Google, #33 on Yahoo!
Feature: Album Review: Lipke Goes "Home"
Description: A review of The Way Home..., the second album by Philadelphia-based singer/songwriter Andrew Lipke.
Search result rankings: For search term: andrew lipke the way home [sic] -- #11 on Google, #25 on Yahoo!
Feature: Bobby Parker: The Real Fifth Beatle?
Description: How bluesman Bobby Parker's classic "Watch Your Step" influenced The Beatles, and how Parker himself got the inspiration for "Watch Your Step."
Search result rankings: For search term: bobby parker [sic] -- #14 on Google, #22 on Yahoo!
For search term: bobby parker watch your step [sic] -- #10 on Google, #7 on Yahoo!
For search term: bobby parker beatles [sic] -- #2 on Google, #2 on Yahoo!
Feature: Lovers...Electrified!
Description: A brief review and an out-of-the-ordinary interview, the subject of both being Australian indie pop duo Lovers Electric, a.k.a. Butterfly Boucher's sister Eden and Eden's husband David. A few months after the publication of this feature, Lovers Electric started taking their music in a rather different direction, so think of this as a piece of history.
Search result rankings: For search term: "lovers electric" [sic] -- #37 on Google, #33 on Yahoo!
For search term: lovers electric eden david [sic] -- #8 on Google, #9 on Yahoo!
For search term: lovers electric butterfly boucher [sic] -- #8 on Google, #12 on Yahoo!
Feature: Guilty Pleasures Await You
Description: Hipster credibility? What hipster credibility? I admit to being a huge fan of several songs I probably shouldn't even like. But they were all hits!
Search result rankings: Not applicable.
Feature: Rambeau, Part II
Description: Eddie Rambeau was a highly prolific singer and songwriter during the 1960s. Now, he's known as Ed Rambeau, and he's still making plenty of noise in the music business.
Search result rankings: For search term: eddie rambeau [sic] -- #20 on Google, #50 on Yahoo!
For search term: ed rambeau [sic] -- #13 on Google, #14 on Yahoo!
Feature: Funky Fresh Jersey Girl
Description: She sings. She writes songs. She plays guitar. She's hard to categorize. She's Laura Cheadle, her current studio album is Falling In, and this article is written in the style of "A Winter Child For All Seasons."
Search result rankings: For search term: laura cheadle [sic] -- #22 on Google, #37 (as a blog feed) on Yahoo!
For search term: laura cheadle falling in [sic] -- #9 on Google, #14 (as a blog feed) on Yahoo!
Feature: Spotlight On: Downtown Harvest
Description: A review of an impossible-to-categorize Philly band's first two albums, Downtown Harvest and Golden Dragon.
Search result rankings: For search term: downtown harvest [sic] -- #10 on Google, #28 on Yahoo!
For search term: downtown harvest golden dragon [sic] -- #9 on Google, #11 on Yahoo!
Feature: One Note Ahead's Quick Takes
Description: A brief rundown of some of the artists I've featured in full on One Note Ahead, complete with download recommendations.
Search result rankings: Not applicable.
Feature: Ozzy Osbourne, '60s Pop Star?
Description: Some say that Ozzy Osbourne was in a successful '60s pop band called The Magic Lanterns. Ozzy says he wasn't. Who's right?
Search result rankings: For search term: ozzy osbourne magic lanterns [sic] -- #3 on Google, #1 on Yahoo!
Yes, that's right. One Note Ahead has just achieved a #1 search result ranking. Now, that's truly One Note Ahead!
Copyright © 2007 S.J. Dibai. All rights reserved.
Here is a list (in chronological order) of One Note Ahead's current lineup of features, their descriptions, and their rankings in the top 50 search results on Google and Yahoo! as of October 9, 2007.
Feature: Spotlight On: Andrew James
Description: A brief review of a British pop/rock singer and songwriter on the move.
Search result rankings: For search term: andrew james singer songwriter [sic] -- #2 on Google, #4 on Yahoo!
Feature: A Winter Child For All Seasons
Description: An in-depth, personal look at the music and performance style of Jersey boy folk-rocker Matt Duke and his debut album, Winter Child.
Search result rankings: For search term: matt duke winter child [sic] -- #13 on Google, #25 on Yahoo!
Feature: SuperJimenez To The Rescue!
Description: An introduction to one of the hottest new Irish rock bands of 2006, with many quotes from lead guitarist Rhys Domagala.
Search result rankings: For search term: superjimenez [sic] -- #4 on Google, #11 on Yahoo!
Feature: It Rocks. It Rolls.
Description: A highly opinionated take on the history and nature of rock 'n' roll. One Note Ahead's most controversial feature ever.
Search result rankings: Not applicable.
Feature: What IS that song?
Description: A rundown of songs used in American television commercials in 2006.
Search result rankings: Not applicable.
Feature: Book Review: A House On Fire
Description: A review of John A. Jackson's book A House On Fire: The Rise and Fall of Philadelphia Soul, which is widely regarded as the definitive Philly soul tome.
Search result rankings: For search term: house on fire philadelphia soul [sic] -- #5 on Google, #9 on Yahoo!
Feature: Tribute 2006
Description: A tribute to the three music legends whose 2006 passings had the most impact on me personally: Atlantic Records co-founder Ahmet Ertegun, R&B jack-of-all-trades Richard "Ritchie" Barrett, and '60s pop star Gene Pitney.
Search result rankings: For search term: ritchie barrett [sic] -- #17 on Google, #22 on Yahoo!
Feature: You call that music?!?!
Description: A look at prevalent attitudes regarding the generation gap in popular music.
Search result rankings: Not applicable.
Feature: DVD Review: Elvis On Sullivan
Description: A detailed review of the Image Entertainment 3-DVD set Elvis: The Ed Sullivan Shows.
Search result rankings: For search term: "Elvis: The Ed Sullivan Shows" [sic; results identical without capitalization] -- #31 on Google, #33 on Yahoo!
Feature: Album Review: Lipke Goes "Home"
Description: A review of The Way Home..., the second album by Philadelphia-based singer/songwriter Andrew Lipke.
Search result rankings: For search term: andrew lipke the way home [sic] -- #11 on Google, #25 on Yahoo!
Feature: Bobby Parker: The Real Fifth Beatle?
Description: How bluesman Bobby Parker's classic "Watch Your Step" influenced The Beatles, and how Parker himself got the inspiration for "Watch Your Step."
Search result rankings: For search term: bobby parker [sic] -- #14 on Google, #22 on Yahoo!
For search term: bobby parker watch your step [sic] -- #10 on Google, #7 on Yahoo!
For search term: bobby parker beatles [sic] -- #2 on Google, #2 on Yahoo!
Feature: Lovers...Electrified!
Description: A brief review and an out-of-the-ordinary interview, the subject of both being Australian indie pop duo Lovers Electric, a.k.a. Butterfly Boucher's sister Eden and Eden's husband David. A few months after the publication of this feature, Lovers Electric started taking their music in a rather different direction, so think of this as a piece of history.
Search result rankings: For search term: "lovers electric" [sic] -- #37 on Google, #33 on Yahoo!
For search term: lovers electric eden david [sic] -- #8 on Google, #9 on Yahoo!
For search term: lovers electric butterfly boucher [sic] -- #8 on Google, #12 on Yahoo!
Feature: Guilty Pleasures Await You
Description: Hipster credibility? What hipster credibility? I admit to being a huge fan of several songs I probably shouldn't even like. But they were all hits!
Search result rankings: Not applicable.
Feature: Rambeau, Part II
Description: Eddie Rambeau was a highly prolific singer and songwriter during the 1960s. Now, he's known as Ed Rambeau, and he's still making plenty of noise in the music business.
Search result rankings: For search term: eddie rambeau [sic] -- #20 on Google, #50 on Yahoo!
For search term: ed rambeau [sic] -- #13 on Google, #14 on Yahoo!
Feature: Funky Fresh Jersey Girl
Description: She sings. She writes songs. She plays guitar. She's hard to categorize. She's Laura Cheadle, her current studio album is Falling In, and this article is written in the style of "A Winter Child For All Seasons."
Search result rankings: For search term: laura cheadle [sic] -- #22 on Google, #37 (as a blog feed) on Yahoo!
For search term: laura cheadle falling in [sic] -- #9 on Google, #14 (as a blog feed) on Yahoo!
Feature: Spotlight On: Downtown Harvest
Description: A review of an impossible-to-categorize Philly band's first two albums, Downtown Harvest and Golden Dragon.
Search result rankings: For search term: downtown harvest [sic] -- #10 on Google, #28 on Yahoo!
For search term: downtown harvest golden dragon [sic] -- #9 on Google, #11 on Yahoo!
Feature: One Note Ahead's Quick Takes
Description: A brief rundown of some of the artists I've featured in full on One Note Ahead, complete with download recommendations.
Search result rankings: Not applicable.
Feature: Ozzy Osbourne, '60s Pop Star?
Description: Some say that Ozzy Osbourne was in a successful '60s pop band called The Magic Lanterns. Ozzy says he wasn't. Who's right?
Search result rankings: For search term: ozzy osbourne magic lanterns [sic] -- #3 on Google, #1 on Yahoo!
Yes, that's right. One Note Ahead has just achieved a #1 search result ranking. Now, that's truly One Note Ahead!
Copyright © 2007 S.J. Dibai. All rights reserved.
Monday, September 24, 2007
Ozzy Osbourne, '60s Pop Star?
In 1968, an unassuming British pop band called The Magic Lanterns scored a major hit in North America with the catchy “Shame, Shame.” Little did anybody know that nearly 40 years later, a debate would be raging as to whether one of the most legendary and controversial figures in all of rock was a member of this outfit. The issue has been in dispute for decades and it may never, ever be resolved. But that doesn’t stop this writer from tackling one of the most polarizing questions concerning the history of rock ‘n’ roll:
Was Ozzy Osbourne a member of The Magic Lanterns?
Here are the facts: The Magic Lanterns were from Warrington, England. During the late ‘60s, their personnel included a bass player and singer named Mike “Oz” Osbourne (also spelled Osborne), who was featured on “Shame, Shame” and other Magic Lanterns recordings from 1968-69. Many music critics and historians have since claimed that Mike “Oz” Osbourne and John Michael “Ozzy” Osbourne are one in the same and record dealers have often sold the Lanterns’ 1969 LP Shame, Shame as an early effort by the Black Sabbath frontman and solo superstar. Ozzy himself has always denied being a Magic Lantern, but there is no shortage of music lovers who refuse to believe him.
Ozzy’s fans have plenty of responses to charges that he was in The Magic Lanterns: Ozzy’s from Birmingham, not Warrington. Black Sabbath were already active, under the names Polka Tulk (or Polka Tulk Blues Company) and Earth, before and during the period when Ozzy was supposed to have been plucking away at his bass as a Magic Lantern. And for that matter, when has Ozzy Osbourne ever been a bass player? In addition, this webpage includes detailed personal recollections from The Magic Lanterns’ own Alistair “Bev” Beveridge, who mentions Mike Osborne [sic] but never says a word about Ozzy.
And yet, one can reasonably make the argument that Ozzy is indeed doing what oh, so many people over a certain age are wont to do: lying about what he did in the ‘60s. Here’s a picture of The Magic Lanterns from the appropriate era:
Was Ozzy Osbourne a member of The Magic Lanterns?
Here are the facts: The Magic Lanterns were from Warrington, England. During the late ‘60s, their personnel included a bass player and singer named Mike “Oz” Osbourne (also spelled Osborne), who was featured on “Shame, Shame” and other Magic Lanterns recordings from 1968-69. Many music critics and historians have since claimed that Mike “Oz” Osbourne and John Michael “Ozzy” Osbourne are one in the same and record dealers have often sold the Lanterns’ 1969 LP Shame, Shame as an early effort by the Black Sabbath frontman and solo superstar. Ozzy himself has always denied being a Magic Lantern, but there is no shortage of music lovers who refuse to believe him.
Ozzy’s fans have plenty of responses to charges that he was in The Magic Lanterns: Ozzy’s from Birmingham, not Warrington. Black Sabbath were already active, under the names Polka Tulk (or Polka Tulk Blues Company) and Earth, before and during the period when Ozzy was supposed to have been plucking away at his bass as a Magic Lantern. And for that matter, when has Ozzy Osbourne ever been a bass player? In addition, this webpage includes detailed personal recollections from The Magic Lanterns’ own Alistair “Bev” Beveridge, who mentions Mike Osborne [sic] but never says a word about Ozzy.
And yet, one can reasonably make the argument that Ozzy is indeed doing what oh, so many people over a certain age are wont to do: lying about what he did in the ‘60s. Here’s a picture of The Magic Lanterns from the appropriate era:
Now, here’s Ozzy:
There is a fellow in the Magic Lanterns’ photo who looks like Ozzy. One might even listen to recordings from Mike “Oz” Osbourne’s tenure in the band and discern a voice in the harmonies that bears a certain resemblance to Ozzy’s. Most intriguing is this paragraph from Mark Marymont’s liner notes to The Magic Lanterns’ CD compilation Shame, Shame (Collectables Records, 1998):
“[Ozzy] has denied that he was ever in the group and most rock history books have Black Sabbath forming in 1967 in their native Birmingham, England. The four schoolmates were originally known as Polka Tulk, a blues band, before changing their name to Earth in 1968 and Black Sabbath in 1969. The record company for whom The Magic Lanterns recorded, however, has confirmed that it is indeed THE Ozzy Osbourne on these recordings. It would appear that this group was only a side-gig for the fledgling superstar.”
This paragraph seems compelling at first, but it raises a few questions. Exactly what record company confirmed the identity of the Lanterns’ bass player? The UK branch of CBS Records, to whom The Magic Lanterns were originally signed? Atlantic Records in the United States, for whom the band recorded the Shame, Shame LP? Or was it another label entirely? Also, one must only look at a map of England to see some problems with The Magic Lanterns being Ozzy’s side-gig during Black Sabbath’s early history. Warrington is close to Manchester, which is in turn a considerable distance from Birmingham. Marymont claims that The Magic Lanterns “ventured down to London in the mid-‘60s,” but if we operate on the premise that the Lanterns were based in London during the “Shame, Shame” era, we must also take note of the fact that London is no closer to Birmingham than Manchester. If Ozzy was already in a band in Birmingham, why would he take such a long trek to play in another band as a side project? It’s possible that Ozzy felt he wasn’t advancing quickly enough in the music business, took up the bass, traveled a long way to live a second life in a commercial pop group with a UK chart entry (“Excuse Me Baby”) under its belt, and then denied having any involvement in said band after he became famous. It’s just not particularly likely. A voice in The Magic Lanterns might sound like Ozzy’s because a latter-day listener is casting about for proof that the Prince of Darkness really was in that band. As for the Ozzy lookalike in the Lanterns’ photo, let’s face it: Ozzy Osbourne does not have a distinctive face. His overall image is what makes him easy to identify.
So the data available to us would seem to indicate that Ozzy Osbourne was NOT one of The Magic Lanterns after all. But The Magic Lanterns have a lot of intriguing connections that can be proven beyond a shadow of a doubt:
=> “Shame, Shame” and other early Magic Lanterns tracks were arranged by John Paul Jones, soon to become the bass player for Led Zeppelin. This is not surprising; during the 1960s, Jones was a highly prolific arranger and, like his eventual bandmate Jimmy Page, an in-demand session musician.
=> Later Magic Lanterns recordings (post-Mike Osbourne) included Albert Hammond, the singer/songwriter responsible for ‘70s soft rock favorites like “It Never Rains In Southern California” and “The Air That I Breathe.” Hammond co-wrote a number of Magic Lanterns tunes from the early ‘70s, including their small US hit “One Night Stand.” Hammond’s son is the appropriately-named Albert Hammond, Jr. of The Strokes.
=> The Magic Lanterns’ only UK chart entry, “Excuse Me Baby,” was written by Artie Wayne, a legendary mover-and-shaker who has done everything and then some in the music business. His website is here and his entertaining blog can be found here.
=> “Shame, Shame” was co-written and originally recorded by American singer and songwriter Keith Colley, best known for his own regional 1963 hit “Enamorado.” He and his wife Linda wrote several songs that ‘60s rock and pop collectors know and love, such as “Shame, Shame,” “One Track Mind” (The Knickerbockers), “Playgirl” (The Knickerbockers, Thee Prophets), and “Mindrocker” (Fenwyck, The American Breed). Colley’s demo version of “Shame, Shame” is available on his Mindrocker compilation, but the 45 version remains a rarity.
All those ties plus the allure of Ozzy Osbourne’s alleged membership? Not bad for a typical-sounding pop band that would probably have been forgotten otherwise.
Original text copyright © 2007 S.J. Dibai. All rights reserved.
Tuesday, August 14, 2007
One Note Ahead's Quick Takes
I created One Note Ahead for the purpose of having my own outlet for my music journalism, but one of the reasons I feel so strongly about music journalism is that it enables me to promote interesting and talented artists who deserve the publicity. However, in a world where soundbites rule and full-length magazine features sometimes amount to less than a page, it can be a bit much to expect people to read a full story or review on an act they've never even heard of.
Now, you don't have to.
The rules are simple. If an artist I've written about is not already a superstar, I'll list that artist here. So...Elvis Presley is out. If I wrote about an artist but later removed that article from One Note Ahead, that artist will not be included in this rundown (full apologies to Butterfly Boucher, but I'll probably make it up to her by reviewing her next album). If an artist's music is not available on iTunes, I'll skip that artist for now; many of Ed (Eddie) Rambeau's oldies are on iTunes, but his recent material was the subject of my writeup and interview. The rest is self-explanatory.
Get your downloading fingers ready.
Artist: Matt Duke
MySpace: http://www.myspace.com/mattduke
Sounds like: Folk-rock singer/songwriter who employs unusual song structures and colorful lyrics. Known for dramatic vocals, but can sing in a subdued fashion when appropriate.
Key tracks: The radio-friendly single is "Oysters," which is excellent. However, "Don't Ask (For Too Much)" is more representative. For social commentary, go with "Tidal Waves" or "Yellow Lights." Signature song "Weeping Winds" is not currently available on iTunes.
Full feature: http://onenoteahead.blogspot.com/2006/10/winter-child-for-all-seasons.html
Artist: Andrew James
MySpace: http://www.myspace.com/andrewjamesmusic
Sounds like: Piano-and-guitar based rock with a pop-friendly sheen. Soulful vocals and dark, brooding lyrics complete the package.
Key tracks: The soaring "Safe As Houses" or the mysterious "I Can't Fight" should do the trick nicely.
Full feature: http://onenoteahead.blogspot.com/2006/10/spotlight-on-andrew-james.html
Artist: Laura Cheadle
MySpace: http://www.myspace.com/lauracheadle
Sounds like: A mix of old-school funky soul and contemporary singer/songwriter pop/rock. A songwriting and playing style all her own. Smoky voice.
Key tracks: "Bright and Beautiful" more than lives up to its title; the dreamy, sensual "Perfect Design" and the languid, bluesy "Midst Of Your Mystery" are also great choices.
Full feature: http://onenoteahead.blogspot.com/2007/07/funky-fresh-jersey-girl.html
Artist: Andrew Lipke
MySpace: http://www.myspace.com/andrewlipke
Sounds like: From low-key folk to high-energy rock, his foundation is always acoustic singer/songwriter music. Unusual voice, wide vocal range, and thought-provoking lyrics.
Key tracks: Only his second album, The Way Home..., is on iTunes at this time. "Untitled Song #1" and "Check Your Mirror" fit the bill for driving alt-rock; "My One And Only" is the acoustic coffeehouse tune; "Standing Over You" is a brilliant pop opus.
Full feature: http://onenoteahead.blogspot.com/2007/02/album-review-lipke-goes-home.html
Artist: SuperJimenez
MySpace: http://www.myspace.com/superjimenez
Sounds like: Smart, tight modern rock delivered by a band with a diverse array of influences and a knack for bending the rules of songcraft and arrangement.
Key tracks: "Helicopters" (the "radio edit" version) is exceptional, while the single version of "Somebody There" (on the "Beau" single) is a novel showcase for their quieter side. Look for their rockin' new single, "Faye," in November and an album next year.
Full feature: http://onenoteahead.blogspot.com/2006/10/superjimenez-to-rescue.html
Artist: Downtown Harvest
MySpace: http://www.myspace.com/downtownharvest
Sounds like: Somebody took rock, funk, hip-hop, dance, jazz, and a bunch of other genres, threw them into a blender, and made the world's most awesome smoothie.
Key tracks: Again, hard to choose just a few. Go with "Hurry Before Worry" and "B.O.B." from their self-titled first album. Pick up "Something Elephants," "Four Hundo," and/or "Clockwork Tangerines" from their latest release, Golden Dragon.
Full feature: http://onenoteahead.blogspot.com/2007/07/spotlight-on-downtown-harvest.html
Stay tuned. You never know who or what will receive the One Note Ahead treatment next.
Copyright © 2007 S.J. Dibai. All rights reserved.
Now, you don't have to.
The rules are simple. If an artist I've written about is not already a superstar, I'll list that artist here. So...Elvis Presley is out. If I wrote about an artist but later removed that article from One Note Ahead, that artist will not be included in this rundown (full apologies to Butterfly Boucher, but I'll probably make it up to her by reviewing her next album). If an artist's music is not available on iTunes, I'll skip that artist for now; many of Ed (Eddie) Rambeau's oldies are on iTunes, but his recent material was the subject of my writeup and interview. The rest is self-explanatory.
Get your downloading fingers ready.
Artist: Matt Duke
MySpace: http://www.myspace.com/mattduke
Sounds like: Folk-rock singer/songwriter who employs unusual song structures and colorful lyrics. Known for dramatic vocals, but can sing in a subdued fashion when appropriate.
Key tracks: The radio-friendly single is "Oysters," which is excellent. However, "Don't Ask (For Too Much)" is more representative. For social commentary, go with "Tidal Waves" or "Yellow Lights." Signature song "Weeping Winds" is not currently available on iTunes.
Full feature: http://onenoteahead.blogspot.com/2006/10/winter-child-for-all-seasons.html
Artist: Andrew James
MySpace: http://www.myspace.com/andrewjamesmusic
Sounds like: Piano-and-guitar based rock with a pop-friendly sheen. Soulful vocals and dark, brooding lyrics complete the package.
Key tracks: The soaring "Safe As Houses" or the mysterious "I Can't Fight" should do the trick nicely.
Full feature: http://onenoteahead.blogspot.com/2006/10/spotlight-on-andrew-james.html
Artist: Laura Cheadle
MySpace: http://www.myspace.com/lauracheadle
Sounds like: A mix of old-school funky soul and contemporary singer/songwriter pop/rock. A songwriting and playing style all her own. Smoky voice.
Key tracks: "Bright and Beautiful" more than lives up to its title; the dreamy, sensual "Perfect Design" and the languid, bluesy "Midst Of Your Mystery" are also great choices.
Full feature: http://onenoteahead.blogspot.com/2007/07/funky-fresh-jersey-girl.html
Artist: Andrew Lipke
MySpace: http://www.myspace.com/andrewlipke
Sounds like: From low-key folk to high-energy rock, his foundation is always acoustic singer/songwriter music. Unusual voice, wide vocal range, and thought-provoking lyrics.
Key tracks: Only his second album, The Way Home..., is on iTunes at this time. "Untitled Song #1" and "Check Your Mirror" fit the bill for driving alt-rock; "My One And Only" is the acoustic coffeehouse tune; "Standing Over You" is a brilliant pop opus.
Full feature: http://onenoteahead.blogspot.com/2007/02/album-review-lipke-goes-home.html
Artist: SuperJimenez
MySpace: http://www.myspace.com/superjimenez
Sounds like: Smart, tight modern rock delivered by a band with a diverse array of influences and a knack for bending the rules of songcraft and arrangement.
Key tracks: "Helicopters" (the "radio edit" version) is exceptional, while the single version of "Somebody There" (on the "Beau" single) is a novel showcase for their quieter side. Look for their rockin' new single, "Faye," in November and an album next year.
Full feature: http://onenoteahead.blogspot.com/2006/10/superjimenez-to-rescue.html
Artist: Downtown Harvest
MySpace: http://www.myspace.com/downtownharvest
Sounds like: Somebody took rock, funk, hip-hop, dance, jazz, and a bunch of other genres, threw them into a blender, and made the world's most awesome smoothie.
Key tracks: Again, hard to choose just a few. Go with "Hurry Before Worry" and "B.O.B." from their self-titled first album. Pick up "Something Elephants," "Four Hundo," and/or "Clockwork Tangerines" from their latest release, Golden Dragon.
Full feature: http://onenoteahead.blogspot.com/2007/07/spotlight-on-downtown-harvest.html
Stay tuned. You never know who or what will receive the One Note Ahead treatment next.
Copyright © 2007 S.J. Dibai. All rights reserved.
Tuesday, July 31, 2007
Spotlight On: Downtown Harvest
Cities like Philadelphia have wildly bustling music scenes in and around them, to the point that one can easily be tempted to look at a band like Downtown Harvest and, with nary a listen to their music, write them off as just another Philly band sweating it out in an overcrowded market. That, however, would be a colossal mistake. Here are four guys who know no boundaries. Across their two albums, they mix rock, funk, hip-hop, disco, R&B, jazz, rap, and electronica as if those genres are all one in the same. Electric guitars, keyboards, saxophones, and all sorts of percussive gimmicks drive most of the band’s arrangements. Each of DTH’s vocalists has his own distinctive sound, making for some attention-grabbing harmonies and vocal interplay. The band’s songs often employ sudden tempo changes, stops and starts, and other structural quirks, while their lyrics range from mysteriously poetic to downright unintelligible. In other words, if you’re looking for the next big thing in mainstream rock, keep looking. But if you’re looking for something truly different in a world of seemingly endless sameness, look no further.
Here’s the breakdown of DTH’s albums, both available from Malogna Records:
Downtown Harvest (2006): Impossible to categorize and quietly off-the-wall from start to finish. A subtle, fun album whose tracks tend to sound custom-made for a small houseparty. The presence of a continuous song sequence towards the end illustrates the point that this is more of a free-flowing, full-length statement than a collection of individual songs. Highlights of Downtown Harvest include the low key, mood-shifting “Rubber Band Song”; the funky “Hurry Before Worry”; “Hills of Beverly,” with its dreamlike new wave textures; the goofy quasi-electronica of “B.O.B”; and “Rattle On,” which has a lethargic, rootsy feel.
Golden Dragon (2007): Louder and more in-your-face than Downtown Harvest, Golden Dragon has more of a straight-ahead rock sound on its first several tracks, reserving its most daring experiments for its second half. Not as much of a cohesive statement as Downtown Harvest, but an entertaining collection with many strong tunes. Highlights include the kaleidoscopic “Full Circle”; “Something Elephants,” a bouncy, absurdist take on indie rock; the heavy New Orleans sound of “Four Hundo”; the psychedelic blues-rock of “MDK”; and “Clockwork Tangerines,” whose multi-movement construction is quite classical in nature. (No comments on the liner notes, which are said to resemble a Chinese food menu—this review is based on an advance press copy without full packaging.)
For music and more information: http://www.downtownharvest.com
http://www.myspace.com/downtownharvest
Copyright © 2007 S.J. Dibai. All rights reserved.
Here’s the breakdown of DTH’s albums, both available from Malogna Records:
Downtown Harvest (2006): Impossible to categorize and quietly off-the-wall from start to finish. A subtle, fun album whose tracks tend to sound custom-made for a small houseparty. The presence of a continuous song sequence towards the end illustrates the point that this is more of a free-flowing, full-length statement than a collection of individual songs. Highlights of Downtown Harvest include the low key, mood-shifting “Rubber Band Song”; the funky “Hurry Before Worry”; “Hills of Beverly,” with its dreamlike new wave textures; the goofy quasi-electronica of “B.O.B”; and “Rattle On,” which has a lethargic, rootsy feel.
Golden Dragon (2007): Louder and more in-your-face than Downtown Harvest, Golden Dragon has more of a straight-ahead rock sound on its first several tracks, reserving its most daring experiments for its second half. Not as much of a cohesive statement as Downtown Harvest, but an entertaining collection with many strong tunes. Highlights include the kaleidoscopic “Full Circle”; “Something Elephants,” a bouncy, absurdist take on indie rock; the heavy New Orleans sound of “Four Hundo”; the psychedelic blues-rock of “MDK”; and “Clockwork Tangerines,” whose multi-movement construction is quite classical in nature. (No comments on the liner notes, which are said to resemble a Chinese food menu—this review is based on an advance press copy without full packaging.)
For music and more information: http://www.downtownharvest.com
http://www.myspace.com/downtownharvest
Copyright © 2007 S.J. Dibai. All rights reserved.
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